CORROSION IN BRASS INSTRUMENTS

 

There is a lot of misunderstanding about corrosion in brass instruments.  We hope this article dispels the myths, helps you understand causes and steers you towards preventing of corrosion.

Pistons and rotary valves are made of a variety of metals: Brass, Monel, and stainless steel.  Years ago, brass was used in all piston valves.  The ease with which naked brass corrodes made it necessary to plate the piston surface with nickel.  This worked well because Nickel resists corrosion, but, there was a drawback.  Nickel plating was not simple to apply and it can flake off.  This necessitated re-plating and re-lapping of the valves.  Even during manufacture of the horn, the plating procedure was troublesome. The cure for this was an alloy that was corrosion resistant and easy to manufacture; that alloy is Monel.

Monel (also called Monell) is a patented Nickel/Copper alloy (66/29) plus significant additions of Cobalt, Manganese, Iron, Silicon, Carbon and Aluminum.  It is named after the Canadian metallurgist  Ambrose Monell who developed it. (Mr. Monell died in 1921.)  Its resistance to air oxidation and reaction with carbon dioxide makes it reasonably worry-free. When corrosion does occur it is at the boundary where the crystals of Nickel and Copper join.  This would suggest that some batches of Monel might have better resistant to corrosion than others. Monel is also a very hard and wear resistant alloy.  Nearly all new horns have piston valves with a Monel surface.   

Do Monel valves corrode?  Yes, albeit not seriously so. Most trumpet manufacturers deny this, but store owners tell a different story.  I recall looking at a new Yamaha trumpet at the NAMM show one year.  I asked the salesperson if the pistons ever suffered from corrosion.  She said no, but when I lifted the piston up from the valve casing of a brand new trumpet, and asked her what that green spot was, she became upset and asked me to leave.  At the same trade show, another manufacturer confessed that their pistons also developed a "blemish" during use.  *(see anecdote below).

The next time you clean your trumpet, look closely at the face of the piston.  You will probably see a circular spot about the size of the adjacent port.  This is corrosion, and may vary in color from pink to a greenish brown.  (Copper and nickel form hydroxy carbonate and chloride complexes which vary in color from pink to green and brown.)   Although disconcerting, the corrosion is not immediately serious.  If desired, the spot can usually be removed with a mild abrasive such as toothpaste or Bon Ami paste.

The cause of this corrosion - unique to the Monel face of the piston - is not readily understood.     A few years ago we studied this phenomenon for the Conn corporation, and developed a theory.  The Monel piston face is close to both the brass surface of the valve casing and solder joints.  Moisture in the breath can act an electrolyte at the point where the moisture passes through the valves.  Monel, brass and solder are dissimilar metals, and, therefore, can promote galvanic corrosion.  Our theory explains why piston corrosion is reduced or prevented by using  valve oils which cling to the valve surface, and are slow evaporating.  The oil acts both as a dielectric and moisture repelling film.

Except for the piston surface, all the other parts of a Brass instrument are made of brass.  Brass is an alloy made primarily of Copper plus zinc, and it is readily attacked by a variety of seemingly harmless substances such as spit and sweat.  Corrosion of brass can be serious.  It occurs where the tubing bends, on the places where the hands are usually placed, and on each end of valve slides.  We routinely hear people say, " my breath is very acidic, and it really attacks the metal".   We have even heard it from trumpet repair people. 

Now what about acidic spit.  Never before has there been a subject that refused to die like acidic spit.  Spit is not acidic.  But, before we begin, let’s get our terms straight.  The acidity of a substance is measured by its pH.  The pH scale is a measure of the H3O+  ions in the substance.  If the pH is 7.0 the substance is neutral.  If the pH is below 7.0 it is acidic, above 7.0 it is base.  Technically speaking a pH of 6.9 is slightly acidic.  But, this is like saying a single grain of salt in a swimming pool makes salt water.

The truth is that there is no such thing as acidic breath.  If your breath was acidic, it would attack your teeth faster than a 24 oz Hershey candy bar.  No, your breath is very slightly alkaline, and you can test it yourself with litmus paper.  As for those that say their breath is corrosive, we can agree; but for reasons they would not have expected.

The human breath contains carbon dioxide, enzymes, some fugitive fatty acids, salts and a lot of moisture.  When you blow into the horn, the moisture deposits everywhere.  Most of the water leaves via the water key, but a thin mucoidal film of moisture laden with carbon dioxide, spit and bacteria clings to the interior walls of the instrument.   This film slowly attacks the metal and forms the corrosion product (copper hydroxy carbonate).  This alkaline product can bridge across joints, and build up a multicolored corroded layer.  If  left unchecked, the slides will become nearly impossible to move without acid dipping.

The exterior of the horn is protected by a coating of lacquer.  If this coating is worn off, the exterior surfaces can suffer from a different type of corrosion.  This corrosion is the reaction of the salt and fatty acids in your fingers with the zinc in the brass; the process is called red rot or dezincification.  As the components in your sweat attack the brass, the zinc is selectively extracted until only a porous layer of  red colored copper is left behind.  The process is slow, and depends on the amount of sweat, and the length of time the skin debris is in contact with the metal.  If not further protected, the metal in that area becomes weak, and is easily perforated. 

So there we have it.  The question now becomes, is it preventable without having the horn plated ? Yes.
 

  1. Red Rot can be prevented by wiping the outside of the horn off at the end of every playing session with a damp cloth followed by a dry one. A soft well worn t-shirt is useful.
     
  2. The interior of the horn can also be protected by removing the offending film before it forms a hard surface.  This is done by cleaning the interior of the horn with warm soapy water and a good quality snake about once a month.   (See our article on cleaning and maintenance -tricks of the trade.)
  3. A popular technique is to protect the horn interior by blowing valve oil through it.  This is reasonably effective if done following a good cleaning plus thorough drying of the interior.  Remember, do not use too much oil.  Oils will dissolve all greases, and may cause the grease film to enter the valve casing area.  [Although we haven't investigated all aspects of corrosion prevention, we do know that some oils will actually interact with clean brass surfaces and dramatically retard brass corrosion.  We discuss this in our section on Rotary Valves.]
  4. To prevent the piston face from corrosion, liberally apply the oil to the piston face and the valve casing interior walls.  Check to be sure that oil is on all surfaces of the piston, and the valve casing,  Choosing the best characteristics to look for in the valve oil is the subject of our master article on Valve Oils. 

 Rotary valves have special considerations, and we have a separate article on them.

   

 * Oh, the anecdote.  Well, at the NAMM show one year, we learned from several store owners that our Pro-Oil Blue formula seemed to prevent Monel staining.  We spoke to the Conn people about this, and offered to share some of our research with them.  Naively we thought that they might decide to use our oil in their trumpet line.  But instead, they quickly introduced their own valve oils: one was red colored, and the other was blue.  Isn't that amazing! 

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